During my career I have constructed works that were focused on a singular image. Initially, I chose an iconic image - the house - because it had such a strong metaphorical context. In some instances, I chose to deconstruct the image to its essential outline. In other instances, I overlaid the image on a safety glass that could be fractured which I felt imparted another metaphorical layer of meaning .

The first series of fractured houses eventually extended to the tragedy of 9/11. I found the geometry of the World Trade Center to be a strong image and found myself immersed in the narrative of that event. For me, the fractured glass heightened the image - and the event.

In Memoriam 9/11 Reflections in Glass represents the body of work I created in response to the events of 9/11.

The shattering of the world as we knew it.
The loss of innocence.
Like glass life is fragile

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Title: 9/11 (1)
Media: Black ink on white opaque glass, acid treated fractured plate glass
Stacks Image 13584
Title: 9/11 (2)
Media: Opaque glass, fractured plate glass, black ink, copper leaf
Stacks Image 13587
Title: 9/11 (3)
Media: Acid treated opaque glass, fractured plate glass, Vitrolite
Stacks Image 13590
Title: 9/11 (4)
Media: Acid treated opaque glass, fractured plate glass, copper leaf
Stacks Image 13593
Title: 9/11 (5)
Media: Acid treated black glass, fractured plate glass, gold leaf
Collection: Bergstrom Mahler Museum, Neenah, Wisconsin
Stacks Image 13596
Title: 9/11 (6)
Media: Acid treated black glass, fractured plate glass, aluminum leaf
Stacks Image 13600
Title: Night and Day
Antique window frame, Acid etched plate glass,
Stacks Image 13602
Title: 9/11 (7)
Media: Acid treat black glass, fractured plate glass, aluminum leaf
Stacks Image 13605
Title: Twin Towers (diptych)
Media: Window frame, fractured plate glass, sand blast, photos

Blown Form

The 70's

The 80's
Painted Cup

The 90's
Yellow House

Works in Series
Deco Image

The Present

Brief Bio

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Henry Halem has been working in glass since 1968. He holds a BFA from the Rhode Island School of Design and an MFA from George Washington University and did post graduate work at the University of Wisconsin. Halem came to Kent State University to start their glass program in 1969. He retired from teaching glass at KSU in 1998 after 29 yrs. He now devotes himself to working full time in his studio as well as trying to lower his golf handicap. Halem, along with a few other artists, founded the Glass Art Society and served as its first president.

In 2008 he received the prestigious “Lifetime Achievement Award” from the Glass Art Society at its annual meeting in Portland, Oregon. Henry is a Fellow of The American Crafts Council and in 1994 Received the Governor’s Award from the State of Ohio. In 1998 Halem received the President’s Medal for Outstanding Achievement from KSU. He has exhibited extensively throughout the U.S., Europe and Japan. His work can be found in important major collections in both the private and public sector. In 1997 the Cleveland Museum of Art acquired two of Halem’s works which are now included in their permanent collection. Other major museums where his work is collected include the Corning Museum, Smithsonian Institution, Renwick Gallery, Toledo Museum, Detroit Institute of Art, High Museum of Art in Atlanta, the Philadelphia Museum of Art and internationally at the Hokkaido & Niijima Museums in Japan and the Museum of Decorative Arts in the Czech Republic.

Henry Halem

Many of the works found on these pages are in the collection of the artist and are for sale. If you have an interest in any of the works please contact me directly. If the work in question is available I will be in touch with availability and pricing.